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tobacco oranges to contrast with c o o l metallic l i d d e d f o r m m a d e by Mastada Funo. A mottled b a c k d r o p brings to the icy-blue foreground the f r o m the clean and beautifully d e s i g n e d page; h o w e v e r , an a p p e n d i x w i t h this i n f o r m a t i o n c o u l d have literature b e e n i n c l u d e d at t h e b a c k a l o n g w i t h the glossary and bibliography. D e s p i t e the absence of technic a l l y s p e c i f i c i n f o r m a t i o n , t h i s b o o k is a w o r k o f a r t . It is a t r u e l a b o u r of of i n s i g h t f u l o f all t h e w r i t t e n w o r d s Made of Clay is t h e s h o r t p i e c e o n potin the deep red raku vessel of R h o n d a G r e e n . Every o n e of the photographs is a r i c h i m a g e u n t o i t s e l f . M a y e r ' s photographic artistry combines the background, foreground, and w o r k the artist into a unified, bright, and colourful image that makes b r o w s i n g a delight. the back c o v e r : "Each piece of tery embodies the pride p l e a s u r e o f its m a k e r a n d and love. S p e a r h e a d e d by f o r m e r p r e s i dent of the Potters G u i l d Linda D o h e r t y , the b o o k w a s also p r o d u c e d a n d c o m p i l e d by D o h e r t y and reflects the rich history of the art. W h e n the four elements of water, earth, air a n d fire c o m e into harmony assembled, edited, proofed, and reproofed almost w i t h t h e h u m a n s p i r i t , t h e r e s u l t is a r t i s t r y m a d e o f clay." e x c l u s i v e l y by v o l unteers. The most striking of M a d e of Clay: C e r a m i c s of British C o l u m b i a is published Guild $40. of British Columbia by the and Potters costs fine the a s p e c t o f Made Clay mon is t h e com- It is available for sale at all at bookstores. Gallery It is also available on thread the of BC Ceramics in Vancouver, by North Granville features 0 throughout Island works which b o o k t h a t is t h e passion inspired Shore artists. by a m a t e r i a l as m u n d a n e as clay by b o t h a c a d e m i c s Maker: Jefferson. P h o t o b y Ken Mayer Cathi t n e Rachelle teacher Studios Chinnery is a ceramist Mudslinger and Clay who co-owns in Vancouver. In a d d i t i o n t o t h e v i s u a l s t i m u l u s is w a n d m a k e r s in t h e c e r a m i c f i e l d . Perhaps the m o s t lyrical and h ten t w o r d . M a n y of the artists' b i o g r a p h i e s reflect t h e skill o f a p o e t as w e l l a s t h a t o f a p o t t e r . T h e writing N O R T H V A N C O U V E R RECREATION COMMISSION is b i o g r a p h i c a l , p h i l o s o p h i c a l , e v o c a tive, and highly l y r i c a l . T h e common THE 11TH A N N U A L d e n o m i n a t o r w i t h a l l t h e m a k e r s is their obvious passion for the medium that s e e m to be the hallmark of the a r t a n d c r a f t o f clay. S o m e of the biographies discuss the particular processes and materials u s e d in t h e i r w o r k (most d o not), and the AT IN A n exciting t h i s is t h e o n l y a r e a in w h i c h ACT stage ON revue! b o o k c o u l d b e i m p r o v e d . T h e r e is n o d e s c r i p t i o n of t h e w o r k in t e r m s of s p e c i f i c clay t y p e o r d i m e n s i o n s o f t h e w o r k as is t r a d i t i o n a l w i t h t h i s t y p e p u b l i c a t i o n . T h e size of the piece remains a mystery unless the reader already k n o w s the craft and u n d e r stands t h e p r o c e s s . F o r e x a m p l e . Sally M i t c h e n e r ' s 2 m e t r e tall c e r a m i c figu r e s a p p e a r as f i g u r i n e s t h a t c o u l d b e 3 0 o r 5 0 c e n t i m e t r e s in h e i g h t . J o s e p h Mihalik's raku apple, a close-up on f r o n t cover, l o o k s the size of a real a p p l e . In f a c t , t h i s p i e c e is a b o u t c e n t i m e t r e s tall.To put this 30 the of F r o m preschoolers to a d u l t s , ballet to t a p -- it's a f u n - f i l l e d e v e n i n g of e n t e r t a i n m e n t f e a t u r i n g P e r f o r m i n g A r t s students f r o m the N o r t h V a n c o u v e r R e c r e a t i o n C o m m i s s i o n . Centennial Sunday, May 30, Theatre 1999 formation 987-play(7529) t i c k e t s 9 8 4 - 4 4 8 4 reserved seating informa- t i o n u n d e r t h e p h o t o g r a p h s , as is t r a d i t i o n a l , w o u l d have t a k e n away